Ready To Assemble Furniture, No Tools Needed

2007 Mothers of Invention Challenge
What Is Advaita Or Oneness

www.inmodern.net

Everything can be upgraded, even the incredibly easy to assemble furniture that we covered last year. The Simple Furniture Company launched its latest brand last week, and it's an upmarket version of Real Simple Furniture. InModern's design is sleeker and more sculptural, with upgraded prices to match (USD 249 for an RSF desk; USD 400 for an InModern desk).

Design aside, the premise remains the same: no tools needed to assemble or disassemble the furniture. The pieces are made of real wood, not particle board, and the wood comes from certified environmentally responsible forestry. Everything is manufactured and assembled in the United States.

We still like the idea of eco-friendly, real simple furniture, and we look forward to hearing from entrepreneurs setting up their own local versions. Come to think of it, click-and-go furniture would be an ideal match for EvolvingVox, the 'temporary ownership network' that furnishes student dorm rooms. Perfect for temporary use, since flat-packable furniture significantly reduces storage space when items aren't in use.

Source - http://www.springwise.com/

Eat Healthy Every Day
Bill Clinton Ordered Custom Lovesong From Me

How Any 13 Year Old Kid Can Become A Millionaire

Distance Education Helps You Get Ahead

CanadianMedsWorld.com

Dominic McVey Story

http://www.viza.com

At the age of just 13, Dominic McVey exploded into the public’s consciousness when he started importing collapsible scooters from the USA, making him a reported ?5 million. Now 19, McVey has sought to find other lucrative niches in the market, with varying success. Here the outspoken entrepreneur talks about his astonishing rise, his views on UK business and his plans for the future.

How did you first come up with the idea for importing the scooters?

I had been looking round the internet and was looking for the credit card website Visa, but I spelt it wrong – Viza, and I came across this website which was manufacturing scooters and I really wanted one. But I couldn’t afford one, and neither could my parents, so I emailed them and said “I think you should send me a scooter, I would sell loads over here.”

They said no, but if you buy five, we’ll give you one free. So as I really wanted one for free, I saved up to buy five, which I did by organising under-18s discos, buying stocks and shares and selling mini disc players in Japan.

So I got five over, and got one for free, which I was really happy with, but then I thought I should sell the other five, which I did within a week, to family and friends. The next week I sold 10, and it just went on from there.

I never really saw the potential until the product landed on my doorstep, and I guess I had to move on it. A lot of people say it was luck, but if you look at football teams they can score a goal one week, but they are not going to score goals every week if they’re bottom of the Premier League.

I looked at in a very childish and naive way, which is probably the best way to do so at the time because you weren’t bombarded with stress and issues and problems.

I was very, very competitive. I guess I was very mouthy about other products out there, but all the others out there were crap and expensive. The press really liked me and everyone liked the product, so that really helped.

You’re quoted as saying you weren’t very keen on the scooters, but you saw the business potential in selling them, which must be quite unusual for someone quite young?

After a week, I guess I was bored of the product. What really shone to me was that I could see everyone in London going to work on one, everyone needs one in the boot of the car if they got stuck in traffic, I really drove that message home.

I used to go up to Liverpool Street station and get chased around by the security for handing out flyers, I’d shoot of on my scooter in my lunch break from school. I sold to a lot of city executives as toys, but people began to commute on them, which caused a bit of a fuss with road safety people.

Did you find your age was a problem in terms of being taken seriously?

I blagged it a lot – a lot of the business I did was over the phone or on the internet. I was very good with computers at the time and had friends who were great with IT, so I had great presentations.

Whenever I did meet companies, even if I thought I couldn’t get any business out of them, I asked them a million and one questions about how they did business. They loved telling me because they felt like the other brother telling the kid what to do.
The added advantage is that the money you make is in a sense all yours, because you don’t have a mortgage or bills, all I was paying for was the internet and my mobile phone.

So you overcome the age gap with technology?

Yes, everything was done from my bed!

You didn’t go on to university – do you feel there is too much to pressure for young people to do that rather than start up a business?

It’s all wrong. The only reason that the government are pressuring people to go to university is because of the banks. Banks make more money from student loans and overdraft than anything else.

The banks tell the government they will not employ anyone without a degree, the banks being the biggest employers in the UK, the government reacts to this.
A lot more people should be encouraged to take their own steps in life and encouraged to go into apprenticeships and traded skills. There is a huge skills shortage, especially women.

Do you think there’s enough support for young people who want to start up their own business?

I think there’s a huge lack of support. What I’ve noticed about young people trying to get into business is that they aren’t really my cup of tea.
There are very few young people who are trying to start up a business and there doesn’t seem to be enough of the right sort of people. Back in the 40s, 50s, 60s, they would’ve been working on market stalls, that to me is the tight kind of entrepreneur, ducking and diving, trying to make his money to get into the bigger picture.

But a lot of the new breed of young entrepreneurs they don’t have to seem to have this streak in them, they seem very middle to upper class, parent may have a lot of money and not much to do with it.

What more could the government do to help young entrepreneurs?

There’s far too much red tape, there’s nowhere for people to go. I went down Walthamstow High Road the other day and I went into a local frame store, which is opposite Waltham Forest Town Hall.

I said to him, “you’ve only been here six months, how’s it going? Are the council helping a lot?” He said, “What? I only hear from the council when they want their fees paid.”

I said, “is there no forums, no networking groups, no grants, helping you out?” He said he wouldn’t even know where to call and they probably don’t know he exists. It’s the same for everything in this whole street, which is a nice street and is beginning to buzz a bit.
Around the House
Commercial Espresso Machine And Coffee Cart Business

World's Most Unusual Moving Company

How To Make Money With Small Online Clubs
http://eat-healthy-every-day.blogspot.com/
Shawn Lyons Story

http://www.rabbitmovers.com/

Rabbit markets itself as an anomaly in an industry with a bad rep, capitalizing on a staff of artistic types, word-of-mouth referrals, and a Web site that posts positive customer testimonials and descriptions of extra services traditional moving companies don't usually offer.

So far, Rabbit's bare-bones sales and marketing strategy—except for maintaining its site, the company spends no money on advertising—is working. Rabbit's founder, former itinerant writer Shawn Lyons, who started the moving company in 2004 for $1,500—the cost of a 1981 Dodge Ram cargo van—estimates revenues will be around $300,000 in 2006. This is up one-third from a year ago. "Originally, I was just going to do the 'man with a van' thing and have time to write," Lyons says.

But about nine months into helping friends move their furniture in his spare time, Lyons decided he was onto something because demand kept increasing. So he pursued the licensing and insurance required by New York City and State and started to build Rabbit into more than just a traditional moving company, carving out a niche with young urban dwellers.

Today Rabbit, apart from making residential and commercial moves within the New York metro area and renting storage space, also offers massages ($80 per hour) and feng shui ($200). Clients normally take advantage of these extras after the move. Moving prices range from $100 an hour to a flat $1,500 for a complicated, labor-intensive move that includes packing.

Toby MacPhearson, a 31-year-old information-technology worker in Manhattan, paid Rabbit about $650 to move from the neighborhood of Chelsea to Hell's Kitchen, and is glad he took advantage of the feng shui service. "I was mostly in it for the practical aspect: It helped me reduce my stress by helping me set up the apartment in a logical manner," says MacPhearson, who has since referred two friends to Rabbit.

Still, Rabbit is a tiny presence in an industry that generates approximately $7 billion a year in revenues and employs an estimated 450,000 workers. David Sparkman, a spokesperson for the American Moving and Storage Assn. (AMSA), an industry advocacy group with 3,400 members, estimates that there are 5,000 to 6,000 mostly small, family-owned moving companies, with just a handful of large van lines.

With so much competition out there, concentrating on a unique group of customers has helped Rabbit establish a strong reputation. Apart from Rabbit's positive plugs in its Web site's testimonials section, sites like Apartmenttherapy.com and Brooklynian.com include posts such as: "Rabbit Movers are awesome. I've used them and passed them on to friends as highly highly recommended."

That seal of approval lends multiple benefits to Rabbit. "The notion of community in an urban setting leads to positive word of mouth, customer loyalty, and branding, and it seems like Rabbit has all of those," says Heidi Neck, assistant professor of entrepreneurship at Babson College.

Those who hire Rabbit to help them move shouldn't expect stereotypical movers. "Most of our guys are artists or in some creative field; they're just a really creative bunch," says Lyons, who counts chefs, painters, musicians, and writers ranging in age from 23 to 43 as his employees. "We're trying to move away from the perception of movers being supermacho creeps. Movers kind of have a bad rep in New York, and for good reason. There are a lot of scams, so we try to combat that," he says.

Aside from wanting to work with people whom he liked on a personal level, Lyons says it was easier to communicate the tone he's trying to create for the company to people who already intuitively understood it through their own experience. Trying to nurture friendly interactions with clients further sets Rabbit apart from the competition.

Since good employees are the key to creating a good moving experience, Rabbit pays fair wages across the board. Lyons says most of his movers make between $13 and $15 an hour, while many other companies pay workers under the table or at minimum wage. Keeping morale up, he says, is a necessity when your primary selling point is alleviating stress for the customer.

Also atypical of a moving company: Rabbit's community of young movers and customers is forming around the Brooklyn art scene. Lyons studied literature and writing at Temple University in Philadelphia and wanted to have his career fit with his creative background. So he recently bought and renovated a space in Brooklyn's Dumbo neighborhood (Dumbo stands for Down Under the Manhattan Bridge), where he now rents space for artists to display their work.

Not directly related to Rabbit's moving business but intimately connected with its people and its style, the studio will host exhibitions at this year's Dumbo Arts Festival, and some of the artists will be Rabbit's own movers. Lyons says most of the people he expects to attend the exhibition are former customers who asked to be added to the Rabbit mailing list.

The company also specializes in moving art for galleries. Lyons says the movers' appreciation for the work establishes a trust between them and the client. "What's really great is that they're not just movers, they're really smart guys. In a business you need things that are malleable—people who are quick and able to adjust to what you need," says Priyanka Mathew, gallery director for Gallery Arts India, one of Rabbit's clients, and a former banker at Goldman Sachs. Mathew says Rabbit has moved scores of contemporary Indian paintings and sculptures without damaging a thing.

The company also employs a design aesthetic on its Web site, trucks, and T-shirts that appeals to its target demographic of young urbanites. "I just went along with what I would want in the aesthetic of the designs, the character, and quality of the movers. So far it's working, I think," says Lyons.

Rabbit's faithful clients—Mathew included—agree that the company's got staying power. "I really think this is the way that business is going to be moving—especially small business. You have to be sound fundamentally, but to create a niche and an edge, you've got to try and differentiate yourself, and that's what Rabbit does very well," says Mathew.
How To Start Google Adsense?
Biggest IT Challenges for Entrepreneurs
Tips for Web Site Translation